sponsored by: rich gillard
In this re-imagining of Buffalo Bill’s storytelling and P.T. Barnum’s grandeur, a ringleader explores the fusion of American myth and gun culture through four acts of an incredible spectacle - and a show gone terribly wrong.
"I’m as American as white crosses, red blood, and blue lives.
I put the buckshot in your beef, the ball in your brain."
Sarah Schecter is a California-based theatre artist and community organizer. At school she studies Playwriting and is a member of the Teen Core Council at Berkeley Repertory Theatre. Her work has been published by the New York Times, Still I Rise Films, We Write Here, and the 2018 Heart of Oakland Festival. She spends her non-theatrical time as treasurer for Bay Area Student Activists, a student-led civic engagement group, and learning and cooking in kitchens around the Bay Area.
Wildly inventive, an a fresh look at the history of violence as grotesque carnival.
TARELL ALVIN MCCRANEY
Playwright & ENOUGH! panelist
Four individuals tell the story of Malcolm, a Black folk musician whose quest through the Eastern Seaboard to find himself was violently interrupted, painting an evocative picture of the connection shared among strangers through a single life.
Propelled by the urgency of his own decay and desperate to be heard, BLACK BOY delivers his “villain’s monologue” - a parting speech typically delivered to a hero before their death - to his audience held at gunpoint.
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During a recess like any other, Lilah Gordon and her best friend/imaginary dragon, Toucan, set off on a special adventure to help Lilah earn dragon wings of her own. But things go awry when a mysterious noise from her nearby school compels the duo to embark on the biggest quest they have ever encountered.